So, you’ve got your Zhiyun Crane Plus gimbal, and your video footage looks incredibly smooth and professional. But what about the sound? Often, the built-in microphone on your camera just doesn’t cut it, leaving your viewers straining to hear or distracted by unwanted background noise. To truly elevate your content, you need an external microphone that can deliver crisp, clear audio.
Finding the best external mic for Crane Plus gimbal can seem like a daunting task, given the sheer number of options out there. You need something lightweight enough not to imbalance your setup, yet powerful enough to capture broadcast-quality sound. Plus, compatibility and ease of use are key when you’re on the go.
Don’t worry, we’ve done the legwork for you! In this guide, we’ll walk you through five top-tier external microphones that are perfect for pairing with your Crane Plus gimbal, helping you achieve that elusive professional audio quality your videos deserve. Get ready to transform your sound from “meh” to “magnificent”!
1. Rode VideoMic Pro+ Camera-Mount Shotgun Microphone
The Rode VideoMic Pro+ is widely considered a gold standard for on-camera audio, and for good reason. This shotgun microphone takes everything you loved about its predecessor and turns it up a notch, delivering superior sound capture with incredible ease of use. It’s a fantastic choice if you’re looking for a versatile, high-quality mic that can handle various shooting scenarios, from vlogging to more cinematic productions, making it a strong contender for the best external mic for Crane Plus gimbal.
Key Features:
* Still with the best-in-class Rycote Lyre suspension system onboard.
* Improves on the existing VideoMic Pro capsule/line tube and windshield.
* Automatic Power Function (with plug-in power availability) is perfect for run-and-gun shooting, automatically turning the microphone off when unplugged from the camera.
* Built-in Battery Door makes replacing the battery a breeze – plus it won’t get lost.
* Power options: powered by the all-new and included RØDE LB-1 Lithium-Ion Rechargeable Battery, 2 x AA Batteries, or continuously via Micro USB.
* Digital Switching ensures ultimate capture of the audio signal at the source, reducing post-production and editing times.
Pros:
* Excellent sound quality with improved clarity.
* Automatic power on/off saves battery life and hassle.
* Multiple power options offer great flexibility.
* Robust Rycote Lyre shockmount minimizes handling noise.
* Digital switching provides fine control over gain and high-pass filters.
Cons:
* Higher price point compared to some other options.
* Requires a hot shoe mount, which might need an adapter for certain gimbal setups if not already available.
User Impressions:
Users consistently praise the VideoMic Pro+ for its exceptional audio fidelity and convenience features. Many highlight the automatic power function as a game-changer for quick shoots, while the flexible power options ensure they’re never left without sound. Its durability and clear sound reproduction in various environments also receive high marks from content creators.
2. Rode PodMic Cardioid Dynamic Broadcast Microphone
Now, the Rode PodMic is a bit of a curveball in a list focused on gimbal-mounted mics, but bear with us. While primarily designed as a broadcast-quality dynamic microphone for podcasts and voiceovers, its incredible sound profile makes it an excellent choice for studio-quality voice work that accompanies your gimbal footage. If you’re doing interviews, voiceovers, or sit-down portions where pristine, rich vocal audio is paramount, the PodMic delivers. It’s not for direct on-gimbal use, but rather for a separate, dedicated audio recording setup that complements your video.
Key Features:
* A broadcast-quality dynamic microphone.
* Rich, balanced sound optimized for podcasting.
* Features an internal pop filter to minimize plosives.
* An internal shock mounting to reduce vibration.
* Optimized for use with the RØDECaster Pro podcast production studio.
* Also offers exceptional results with any high-quality microphone interface.
Pros:
* Outstanding vocal clarity and warmth for studio-grade audio.
* Built-in pop filter and shockmount simplify setup.
* Extremely durable all-metal construction.
* Excellent for voice-overs, podcasts, and interviews where the mic isn’t camera-mounted.
Cons:
* Not designed for direct on-camera/on-gimbal mounting (requires an XLR interface and stand).
* Requires a quality audio interface or mixer to achieve its best sound.
* Less portable for run-and-gun outdoor shoots compared to shotgun mics.
User Impressions:
Podcast hosts and voice artists rave about the PodMic’s ability to capture deep, clear, and professional-sounding vocals. Users appreciate its robust build quality and the internal noise reduction features that make it easy to get great sound without extensive post-processing. It’s often described as a “workhorse” for dedicated audio recording setups.
3. Rode VideoMic Pro R Camera-Mount Shotgun Microphone
Before the “Plus” came along, there was the Rode VideoMic Pro R, and it’s still a fantastic option for your Crane Plus gimbal setup. This supercardioid shotgun condenser mic is a staple in many content creators’ kits due to its reliability and excellent directional audio capture. It’s a solid, no-nonsense choice that provides a significant upgrade over your camera’s internal mic without breaking the bank.
Key Features:
* Supercardioid Shotgun Condenser Mic.
* Optimized for camcorder use.
* Integrated Rycote Lyre Shockmount System for superior isolation from bumps and vibrations.
Pros:
* Excellent directional sound pick-up, focusing on your subject.
* Rycote Lyre shockmount effectively reduces handling noise.
* Lightweight and compact, ideal for gimbal use.
* Reliable performance for various video projects.
Cons:
* Fewer advanced features than the VideoMic Pro+ (e.g., no auto-power, fewer power options).
* Battery door can be a bit fiddly compared to the Pro+.
User Impressions:
This mic is a beloved classic for many videographers. Users love its straightforward operation and the clean, clear audio it delivers. It’s frequently recommended as a “set it and forget it” microphone that consistently performs well, especially for outdoor shoots where you want to minimize ambient noise.
4. Lavalier Microphone Compatible for DJI Osmo Pocket 3,…
Sometimes, a shotgun mic isn’t the best external mic for Crane Plus gimbal setup, especially when your subject is further away or you need discreet audio capture. Enter the lavalier microphone. This particular lav mic, compatible with devices like the DJI Osmo Pocket 3 and Insta360, offers an omnidirectional pick-up pattern, ensuring crystal-clear audio even in noisy environments. It’s perfect for interviews, vlogs where you’re speaking directly to the camera, or any scenario where you want the microphone close to your subject’s mouth.
Key Features:
* Accessories Lav Mic – Fit for Insta360 X2/X3 camera, fit for DJI Osmo Pocket 3 (check specific Crane Plus compatibility via adapter if needed).
* Professional Mic – Omnidirectional, bottomless noise, high fidelity sound quality, crystal clear audio in all environments.
* Foam Cover – A foam pop shield is supplied to minimize wind noise and vocal plosives.
* Widely Use – For dictation, video recording, YouTube, TikTok, Kwai podcasting, bloggers, vloggers, podcasts, GarageBand, interviews, and more.
* Reinforced Cable – 5 Feet cord for flexibility.
* Easy to use – Plug and play.
Pros:
* Excellent for capturing direct, clear voice audio from a speaker.
* Omnidirectional pattern means you don’t have to worry about mic positioning as much.
* Discreet and easily concealable for on-person audio.
* Plug-and-play simplicity.
* Affordable solution for improved vocal audio.
Cons:
* Wired connection might limit movement range or require cable management.
* Not ideal for capturing ambient sound or wider soundscapes.
* May require a specific adapter depending on your camera’s input jack on the gimbal.
User Impressions:
Users frequently praise this lavalier for its ability to deliver clean and clear dialogue, especially given its affordable price point. It’s a favorite for interview setups and solo vlogs, where getting the mic close to the source is key. The included foam cover and plug-and-play nature are often highlighted as big positives.
5. Rode Stereo VideoMic Pro Rycote Camera-Mount Stereo Microphone
If you’re aiming for immersive audio that truly transports your audience into the scene, the Rode Stereo VideoMic Pro is your go-to. Unlike the mono shotgun mics, this stereo microphone captures a wider soundstage, giving depth and spatial awareness to your recordings. Imagine the rustling leaves on either side, the distinct sounds of a bustling street, or the rich atmosphere of a live event – this mic captures it all beautifully. It’s an excellent addition to your Crane Plus gimbal setup for cinematic and documentary-style videography.
Key Features:
* Rycote Lyre shock mounting onboard for superior isolation.
* Broadcast recording quality on-camera microphone.
* High-quality stereo on-camera microphone.
* Billeted metal camera shoe mount with 3/8 Inches thread for easy boompole mounting.
Pros:
* Captures immersive, realistic stereo sound.
* Ideal for capturing ambient soundscapes, music, and environmental audio.
* Rycote Lyre shockmount keeps handling noise at bay.
* Compact and lightweight for gimbal mounting.
Cons:
* Stereo recording might pick up more unwanted ambient noise in certain situations compared to a directional shotgun mic.
* Item does not include battery (requires 9V battery).
* Less focused on a single sound source than a mono shotgun mic.
User Impressions:
Filmmakers and content creators who focus on atmospheric shots or live events absolutely love the Stereo VideoMic Pro. They commend its ability to capture a sense of space and depth that mono mics can’t. While some note the 9V battery requirement, the quality of the stereo sound makes it worthwhile for those looking for an immersive audio experience.
Frequently Asked Questions (FAQ)
Q1: Why do I need an external mic for my Crane Plus gimbal?
A1: While your camera’s built-in microphone is convenient, it’s typically designed for basic audio capture and often picks up camera handling noise, background chatter, or wind sounds. An external microphone provides significantly better audio quality, clearer dialogue, and can reduce unwanted noise, making your videos sound much more professional.
Q2: What type of external microphone is best for gimbal use?
A2: For general purpose videography with a gimbal, a compact shotgun microphone (like the Rode VideoMic Pro series) is often the best external mic for Crane Plus gimbal. They are lightweight, directional, and great for capturing audio from your subject while reducing ambient noise. If you’re doing interviews or need discreet audio, a lavalier mic is excellent. For immersive soundscapes, a stereo microphone works wonders.
Q3: How do I attach an external mic to my Crane Plus gimbal?
A3: Most on-camera microphones come with a cold shoe mount that slides into your camera’s hot shoe. If your camera is mounted on the gimbal and doesn’t have an easily accessible hot shoe, you might need a gimbal-specific mounting plate or an accessory bar that attaches to the gimbal itself and provides additional cold shoe mounts. Always ensure the added weight doesn’t unbalance your gimbal setup.
Q4: Will an external mic affect my gimbal’s balance?
A4: Yes, adding any accessory to your camera setup on a gimbal will affect its balance. It’s crucial to re-balance your Crane Plus gimbal every time you add or remove an external microphone. Most compact shotgun mics are lightweight enough that they don’t pose a significant balancing challenge, but it’s a necessary step to ensure smooth footage.
Q5: What’s the difference between a condenser and a dynamic microphone?
A5: Condenser microphones (like the Rode VideoMic Pro) are more sensitive and require power (phantom power or batteries). They are great for capturing detailed, nuanced sounds and are common for studio recording and on-camera use. Dynamic microphones (like the Rode PodMic) are more rugged, don’t require external power, and are excellent for loud sound sources or situations where durability is key, like live performances or broadcast voice work.
Q6: Do I need an adapter for my external mic?
A6: It depends on your camera and microphone. Most on-camera mics use a 3.5mm TRS jack. If your camera has a 3.5mm input, you likely won’t need an adapter for the connection itself. However, if your camera only has USB-C or a different input, or if your microphone is XLR-only (like the PodMic), you will need an appropriate adapter or audio interface.
Q7: How can I reduce wind noise when using an external mic outdoors?
A7: Wind noise is a common problem. The best solutions include:
* Foam wind shields: Basic protection, usually included.
* “Dead Cats” or “Wind Muffs”: Fuzzy covers that go over your foam shield, offering superior wind protection for outdoor shoots. Many Rode mics come with these or have them as optional accessories.
* High-pass filter: Many external mics (like the VideoMic Pro+) have a built-in high-pass filter that cuts out low-frequency rumble, including some wind noise.
Investing in the best external mic for Crane Plus gimbal is one of the smartest decisions you can make to elevate your video production. Great visuals combined with professional audio create an unbeatable viewing experience that will keep your audience engaged and coming back for more. Choose the mic that best fits your shooting style and audio needs, and get ready to hear the difference!
